Thursday, December 3, 2015

A new Poetry blog
THE SONGS AND SONNETS OF JOHN DONNE
begins on Sunday 6th December at

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Thursday, July 16, 2015

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A New Poetry Blog begins on Saturday 25th July 2015
POETRY - A PERSONAL CHOICE

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Friday, January 16, 2015

SYMPATHY
Paul Laurence Dunbar 1872-1906

I know what the caged bird feels, alas!
    When the sun is bright on the upland slopes;   
When the wind stirs soft through the springing grass,   
And the river flows like a stream of glass;
    When the first bird sings and the first bud opes,   
And the faint perfume from its chalice steals - 
I know what the caged bird feels!

I know why the caged bird beats his wing
    Till its blood is red on the cruel bars;   
For he must fly back to his perch and cling   
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars   
And they pulse again with a keener sting - 
I know why he beats his wing!

I know why the caged bird sings, ah me,
    When his wing is bruised and his bosom sore, -
When he beats his bars and he would be free;
It is not a carol of joy or glee,
    But a prayer that he sends from his heart’s deep core,   
But a plea, that upward to Heaven he flings -
I know why the caged bird sings!

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THE ARROW AND THE SONG
Henry Wadsworth Longfellow  1807-82

I shot an Arrow into the air,
It fell to earth I know not where,
For so swiftly it flew, the sight
Could not follow it in its flight.

I breath'd a Song into the air,
It fell to earth, I know not where.
For who has sight so keen and strong
That it can follow the flight of a song?

Long, long afterward in an oak
I found the Arrow still unbroke;
And the Song from beginning to end
I found again in the heart of a friend.

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THE OLD WOMAN
Joseph Campbell (Seosamh MacCathmhaoil) 1879-1944

As a white candle in a holy place
So is the beauty of an aged face.
As the spent radiance of the winter sun,
So is a woman with her travail done,
Her brood gone from her and her thoughts as still
As the waters under a ruined mill.

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TWO SPARROWS
Humbert Wolfe 1885-1940

Two sparrows, feeding,
Heard a thrush
Sing to the dawn, 
The first said, “Tush!

In all my life
I never heard
A more affected
Singing bird.”

The second said,
“It’s you and me
Who slave to keep
The likes of he.”

“And if we cared,”
Both sparrows said,
“We’d do that singing
On our head.”

The thrush pecked sideways
And was dumb.
“And now,” they screamed,
“He’s pinched our crumb!”

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THE POETRY PATH COMES TO AN END TODAY.
However, the new blog MY CHOICE MY DELIGHT which began on Monday will be updated three times a week and will include a poem each time. The next post is on Monday 19th January'

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Friday, January 9, 2015

WHERE THE SIDEWALK ENDS 
Shel Silverstein  1930-99

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

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WRITTEN IN SPRING
William Wordsworth  1770-1850

The cock is crowing,
The stream is flowing,
The small birds twitter,
The lake doth glitter
The green field sleeps in the sun;
The oldest and youngest
Are at work with the strongest;
The cattle are grazing,
Their heads never raising;
There are forty feeding like one!

Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The ploughboy is whooping - anon, anon:
There's joy in the mountains;
There's life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone!

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Two Poems by
Amy Lowell  1874-1925

SEA SHELL

Sea Shell, Sea Shell,
Sing me a song, O Please!
A song of ships, and sailor men,
And parrots, and tropical trees,
Of islands lost in the Spanish Main
Which no man ever may find again,
Of fishes and corals under the waves,
And seahorses stabled in great green caves.
Sea Shell, Sea Shell,
Sing of the things you know so well.

PETALS

Life is a stream
On which we strew
Petal by petal the flower of our heart;
The end lost in dream,
They float past our view,
We only watch their glad, early start.
Freighted with hope,
Crimsoned with joy,
We scatter the leaves of our opening rose;
Their widening scope,
Their distant employ,
We never shall know. And the stream as it flows
Sweeps them away,
Each one is gone
Ever beyond into infinite ways.
We alone stay
While years hurry on,
The flower fared forth, though its fragrance still stays.

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NEXT POST HERE NEXT FRIDAY

A new blog begins on Monday 12th January
MY CHOICE MY DELIGHT
http://mychoicemydelight.blogspot.com

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Friday, December 19, 2014

CHRISTMASTIDE
Thomas Hardy (1840-1928)

The rain-shafts splintered on me
As despondently I strode;
The twilight gloomed upon me
And bleared the blank high-road.
Each bush gave forth, when blown on
By gusts in shower and shower,
A sigh, as it were sown on
In handfuls by a sower.

A cheerful voice called, nigh me,
“A merry Christmas, friend!”
There rose a figure by me,
Walking with townward trend,
A sodden tramp’s, who, breaking
Into thin song, bore straight
Ahead, direction taking
Toward the Casuals’ gate.

[The Casual Ward was a place of refuge. Often, a queue of homeless people would form outside, waiting to get a bed for the night]

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MINSTRELS
William Wordsworth 1770-1850

The minstrels played their Christmas tune
To-night beneath my cottage-eaves;
While, smitten by a lofty moon,
The encircling laurels, thick with leaves,
Gave back a rich and dazzling sheen,
That overpowered their natural green.

Through hill and valley every breeze
Had sunk to rest with folded wings:
Keen was the air, but could not freeze,
Nor check, the music of the strings;
So stout and hardy were the band
That scraped the chords with strenuous hand.

And who but listened? Till was paid
Respect to every inmate's claim,
The greeting given, the music played
In honour of each household name,
Duly pronounced with lusty call,
And "Merry Christmas" wished to all.

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MISTLETOE
Walter de la Mare 1873-1956

Sitting under the mistletoe
(Pale-green, fairy mistletoe),
One last candle burning low,
All the sleepy dancers gone,
Just one candle burning on,
Shadows lurking everywhere:
Some one came, and kissed me there.

Tired I was; my head would go
Nodding under the mistletoe
(Pale-green, fairy mistletoe),
No footsteps came, no voice, but only,
Just as I sat there, sleepy, lonely,
Stooped in the still and shadowy air
Lips unseen - and kissed me there.

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A POEM FOR NEW YEAR
Ella Wheeler Wilcox 1850-1919

What can be said in New Year rhymes,
That's not been said a thousand times?

The new years come, the old years go,
We know we dream, we dream we know.

We rise up laughing with the light,
We lie down weeping with the night.

We hug the world until it stings,
We curse it then and sigh for wings.

We live, we love, we woo, we wed,
We wreathe our brides, we sheet our dead.

We laugh, we weep, we hope, we fear,
And that's the burden of the year.

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THE NEXT POET HERE WILL BE ON FRIDAY 9TH JANUARY

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Friday, December 12, 2014

THE TIDE RISES, THE TIDE FALLS
Henry Wadsworth Longfellow  1807-82

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
      And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
      And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
      And the tide rises, the tide falls.

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YE BANKS AND BRAES
Robert Burns 1759-96

Ye banks and braes o' bonnie Doon,
How can ye bloom sae fresh and fair?
How can ye chant, ye little birds,
And I sae weary fu' o' care!
Thou'll break my heart, thou warbling bird,
That wantons thro' the flowering thorn:
Thou minds me o' departed joys,
Departed never to return.

Aft hae I rov'd by bonnie Doon,
To see the rose and woodbine twine:
And ilka bird sang o' its luve,
And fondly sae did I o' mine;
Wi' lightsome heart I pu'd a rose,
Fu' sweet upon its thorny tree!
And my fause luver staw my rose,
But ah! he left the thorn wi' me.

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TO A FAT LADY SEEN FROM THE TRAIN
Frances Cornford  1886-1960

O why do you walk through the fields in gloves,
Missing so much and so much?
O fat white woman whom nobody loves,
Why do you walk through the fields in gloves,
When the grass is soft as the breast of doves
And shivering sweet to the touch?
O why do you walk through the fields in gloves,
Missing so much and so much?

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THE FAT WHITE WOMAN SPEAKS
G.K.Chesterton  1874-1936

Why do you rush through the field in trains,
Guessing so much and so much?
Why do you flash through the flowery meads,
Fat-head poet that nobody reads;
And why do you know such a frightful lot
About people in gloves as such?
And how the devil can you be sure,
Guessing so much and so much,
How do you know but what someone who loves
Always to see me in nice white gloves
At the end of the field you are rushing by,
Is waiting for his Old Dutch?

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Friday, December 5, 2014

THE FAIR SINGER
Andrew Marvell  1621-78

To make a final conquest of all me,
Love did compose so sweet an enemy,
In whom both beauties to my death agree,
Joining themselves in fatal harmony;
That while she with her eyes my heart does bind,
She with her voice might captivate my mind.

I could have fled from one but singly fair:
My disentangled soul itself might save,
Breaking the curled trammels of her hair.
But how should I avoid to be her slave,
Whose subtle art invisibly can wreath
My fetters of the very air I breath?

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BAGS OF MEAT
Thomas Hardy  1840-1928

“Here’s a fine bag of meat,” 
   Says the master-auctioneer, 
   As the timid, quivering steer, 
   Starting a couple of feet 
   At the prod of a drover’s stick, 
   And trotting lightly and quick, 
   A ticket stuck on his rump, 
Enters with a bewildered jump. 

   ”Where he’s lived lately, friends, 
   I’d live till lifetime ends: 
   They’ve a whole life everyday 
   Down there in the Vale, have they! 
   He’d be worth the money to kill 
And give away Christmas for goodwill.” 

   ”Now here’s a heifer - worth more 
   Than bid, were she bone-poor; 
   Yet she’s round as a barrel of beer”; 
"She’s a plum," said the second auctioneer. 

"Now this young bull - for thirty pound? 
   Worth that to manure your ground!” 
   ”Or to stand,” chimed the second one, 
   ”And have his picter done!” 
The beast was rapped on the horns and snout 
   To make him turn about. 
"Well," cried a buyer, "another crown - 
Since I’ve dragged here from Taunton Town!” 

   ”That calf, she sucked three cows, 
   Which is not matched for bouse 
   In the nurseries of high life 
By the first-born of a nobleman’s wife!” 
The stick falls, meaning, “A true tale’s told,” 
On the buttock of the creature sold, 
   And the buyer leans over and snips 
His mark on one of the animal’s hips. 

   Each beast, when driven in, 
Looks round at the ring of bidders there 
With a much-amazed reproachful stare, 
   As at unnatural kin, 
For bringing him to a sinister scene 
So strange, unhomelike, hungry, mean; 
His fate the while suspended between 
   A butcher, to kill out of hand, 
   And a farmer, to keep on the land; 
One can fancy a tear runs down his face 
When the butcher wins, and he’s driven from the place.

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I KNOW A BANK
from "A Midsummer Night's Dream" spoken by Oberon
William Shakespeare  1564-1616

I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull’d in these flowers with dances and delight;
And there the snake throws her enamell’d skin,
Weed wide enough to wrap a fairy in.

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I BENDED UNTO ME A BOUGH
Thomas Edward Brown  1830-97  

I bended unto me a bough of May,
That I might see and smell:
It bore it in a sort of way,
It bore it very well.
But, when I let it backward sway,
Then it were hard to tell
With what a toss, with what a swing,
The dainty thing
Resumed its proper level,
And sent me to the devil.
I know it did - you doubt it?
I turned, and saw them whispering about it. 

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THE BLOG WITHOUT A NAME HAS BEEN UPDATED TODAY

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